The Triton Extreme added in-track sampling support, allowing stereo samples to be recorded in context with a MIDI sequence and automatic triggering of the samples at their proper locations in the sequence during playback. The onboard sampler was another significant improvement, as well as the 'instant sequencing' function found in the latest firmware versions of Triton Classic and all subsequent Tritons (which allows the user to convert a combi into a song where all parts (programs) are instantly set up as tracks within a song). Although it lost the sequencer audio tracks, digital input and output, these options were rarely installed in the Trinity, so the difference thereof was negligible.

All this essentially made Triton one of the best selling synths of the 2000s (its successors M3/M50 and later Krome sound engines are essentially improved Tritons with better UI and more wave ROM). The HI Synthesis engine also provides dual filters per digital oscillator configurable to either a series 24dB/octave resonant low-pass setting or else a parallel 12dB/octave high-pass plus 12dB/octave low-pass combination (which together can also be used similar to band-pass filter). The biggest improvement of Triton was in the sound: new multisamples and better processing, combined with five insert effects per program.

The original Triton introduced many improvements over the Trinity, like 62-note polyphony, dual polyphonic arpeggiators, RPPR phrase recorder, onboard sampler, greatly improved effects & routing possibilities (including the processing of external signals via the internal effects), larger synthesis modulation matrix, faster operating system, significantly faster touchscreen response, sample ROM expandability, enhanced UI including category search (ability to browse through related groups of sounds like pianos, brass, strings, etc.), redesigned sequencer, more realtime controllers including knobs, portamento, and availability of multi-timbral MOSS synthesis expansion (whereas Trinity's MOSS expansion was mono-timbral). The Triton 'Classic' followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series, also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX). The two ranges are aesthetically and functionally very similar.

The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations.

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